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August 18, 2008

Now Available: TEXISTENCE by Geof Huth and mIEKAL aND



2008, 5.06" x 7.81", 300 pgs, $20.00 includes US postage.
ISBN 1-438250-10-X | EAN-13 978-1-43825010-6

http://xexoxial.org/is/texistence/by/geof_huth_and_mIEKAL_aND

"There is a trick or two to writing a 300-page book and typesetting it 
in two days. One is to have two people work on the book, and the other 
is to require only one word per page. And that is what mIEKAL aND and 
I did on June 29th and 30th in West Lima, Wisconsin: We wrote a book 
of 300 collaborative pwoermds, certainly the longest book of pwoermds 
ever and, to my knowledge, the only collaborative pwoermds ever made.

The pwoermd is a queer little literary beast, one that combines the 
art of neologism with the practice of poetry. The goal of the pwoermd 
is to provide the experience of a poem over the course of a single 
poem. As a poetic form, it is doomed to fail frequently, but ts size 
makes the attainment of perfection at least possible.

The way mIEKAL and I created texistence worked, one of us wrote 
fragments of two words on facing pages of a page layout on a computer 
and the other added letters in any way to those words and then wrote 
two partial words of his own. Occasionally, I wrote a starter word of 
only two letters, which mIEKAL had to work hard to make into 
something, and occasionally I wrote him a starter word so seemingly 
complete that he wasn't sure what he could add. It was great fun. We 
worked on this for hours at a time. I usually was working on another 
writing project simultaneously, and mIEKAL would turn the computer 
towards me when it was my turn, and I would turn it back to him when 
it was his turn."

—Geof Huth

August 13, 2008

Promising New Zine: SOUS RATURE

issue #1 of SOUS RATURE has been released.

it features works of

Diana Magallon and Jeff Crouch
Chris Vitiello
Tomie Hahn
Kathrin Schaeppi
Carrie Hunter
Jennifer Calkins
Drew Kunz
Elizabeth Kate Switaj
Rachel Levistky
Christian Bök
Raymond Farr
derek beaulieu
Michael Peters
Matt Hart
Mako Matsuda
Susana Gardner
Emma Phillips
Suzy Scarlata
Rick Moody
Marco Giovenale
Caroline Crumpacker
Ernest Williamson III
Riccardo Bogglione
Mark Lamoureax
Todd Colby


editor: Cara Benson
http://www.necessetics.com/1ssue.html

Join the Conversation

Les Figues Press creates aesthetic conversations between readers, writers and artists, through the publication of the TrenchArt series and other works, and through events, including Mrs. Porter's Art Salon.

Guest writers on the Les Figues Blog, Give A Fig, are sharing their thoughts about books they're reading, or events they're planning/attending,
pieces they're writing, or collaborations they're working on.

RECENT POSTS
Harold Abramowitz's Chapter Two (parts 1-4)
Jennifer Calkins on Taking the Human Out of the Thing
Jennifer Karmin on Translation; or, The Ear
Sawako Nakayasu on The Bear Valley Massacre and the Making of History
Vanessa Place on Now what that is (Dear Extant Text)

Join the conversation!

http://www.lesfigues.blogspot.com

http://www.lesfigues.com

August 11, 2008

Sillimajism

He doesn't heel the dog's whisper. Smell the behind, posterior or posterity? Like hounds of hell, in relentless, often reckless, pursuit, we rarely scent what we think, let alone what we don't.

August 10, 2008

From Atlanta Poets Group: Call for Sound Poetry

just wanted to let folks know we are looking for work for issue 2 of
aslongasittakes--- submissions are rolling, but we hope to have issue 2
out in the next month and half or so-- the official call for work is below
thanks,
james sanders


"How long is a poem? As long as it takes to perform it." --Bob Cobbing

a s l o n g a s i t t a k e s, a sound poetry magazine published by the
Atlanta Poets Group, is seeking submissions. We are looking for sound
poetry, scores for sound poetry and essays on sound poetry. "What is
'sound poetry'?" you ask. Good question. It's one of those know it when
you see (hear) it kind of things. It's probably not music (thanks Dick
Higgins). It might be noise. If you think about a spectrum of possible
noise made by the human body (or simulations thereof or substitutions
therefor), and at one end of the spectrum is a person reading her poem
and at the other end is abstract noise, we're looking for works that
fall towards the latter end. We are looking for works in/of/against the
tradition(s) of Ball, Schwitters, Dûfrène, Henri Chopin, Jandl, Cobbing,
The Four Horsemen, Fylkingen Group, Öyvind Fahlström. . . hopefully by
now you get the idea. We're looking for stuff that will push/redefine
the limits. The magazine is Web-based.

Please send submissions to aslongasittakes@comcast.net
<mailto:aslongasittakes@comcast.net> in one of the following formats:
.mp3, .wav, .wma, or flac. Please query before sending in other formats.
If you can't get us the work via email, just send an email and let us
know, and we can find another way. We don't know how long it will take
to get back to you on your submissions, just be cool. We can't pay you
anything for your work. All work that appears in the magazine will be
available for download from the magazine's site under the Creative
Commons' /Attribution Non-commercial Share Alike/ license
(http://creativecommons.org/licenses/by-nc-sa/3.0/); if you are not
comfortable with making your work available in that way, let us know and
we can probably work something out.

August 08, 2008

Silliman Jism

Entering a new entrance, I'm not a trance, not a rant or a truce. When I cross the door jamb, do I cross out? Fall, feel, full, I have few other places to go.

August 07, 2008

Scatter

Scatter

Silliman Jism

Climbing temporal walls, trellises, poles, they're all bean counters. Tossing me a dessicated leaf from clouds, Jack wets his pants. Topless, my breath seizes, a tear in its eye.

DO YOU BUY POETRY?": A SIMPLE POETRY SURVEY

My answers to this survey from Eileen Tabios (see links below if/when you'd like to complete the survey, too):

1) Have you bought a poetry publication in the last 12 months?
(If you can't recall that far back, just what you remember within the last 12 months would be fine.)

I must buy 25-30 books a year (get another dozen or so sent to me). I buy more books in the summer and consequently read more in the summer. Can't remember all the titles, but in the last few weeks I bought the following (see next question):


2) If so, which one(s). If not, why not?
 
Given, Wendell Berry (new)
The Ends of the Earth, David Bromige (used)
Situation Sings, Jack Collom & Lyn Hejinian (new)
The Human Abstract, Elizabeth Willis (used)
The Dream of a Common Language, Adrienne Rich (used)
Slinger, Ed Dorn (used)
nothing doing, Cid Corman (new)
Lit Interim, Christopher Arigo (new)
In the archives, Christopher Arigo (new)
this connection of everyone with lungs, Juliana Spahr (new)
Recyclopedia, Harryette Mullen (new)
The Outernationale, Peter Gizzi (new)
Night Scenes, Lisa Jarnot (new)
The Fatalist, Lyn Hejinian (new)
Time and Materials, Robert Hass (new)

3) If you have bought a poetry publication, how did it/they come to your attention?
(Sample answer: a friend told me; I read a good review of it; it was assigned in a class, etc.)

I have about three dozen poets I'll buy/read every book they've done (I rarely read reviews anymore, though I read a ton about poetry on blogs). When I go to a bookstore like Powell's in Portland, I'll pick up a book or two from poets whose work I've seen in zines or on-line over the years but haven't read a book from yet (e.g. Gizzi's The Outernationale). I've also been re-acquiring books that kicked my ass 20-30 years ago (e.g. Dorn's Slinger).

*********
I would like to post the results of this survey -- I'd be happy to post your answer anonymously (and obviously keep your identity confidential) if you let me know.

If you don't buy poetry, I'd appreciate hearing from you and why not, too (even if your reason is that most mundane but important factor: I'm broke!)

More details on survey is posted at moi blog at http://angelicpoker.blogspot.com/2008/08/do-you-buy-poetry.html

For part of my own answer, if you're so interested, go to http://angelicpoker.blogspot.com/2008/08/how-we-actually-buy-poetry-publications.html But I do hope you'll participate in the survey.

Best,
Eileen Tabios

p.s.  Please feel free to share the survey with others!



August 06, 2008

Prisoner

Prisoner

Silliman Jism

Righteous leftists contain a center that consumes itself. Egging on your own corpse exceeds all daily requirements. What's left is right.

August 05, 2008

Silliman Jism

No, wind! Wind up everything you know, see if it has any spring. Denial is in slack action.

NEW from Country Valley Press:

Perhaps picking up where Sylvester Pollet's Backwoods ended:


Empty Hands Broadside #12, Charles Belbin, DUST ON OUR SHOES

Broadsides are now available on a subscription basis. For $11 a year subscribers will receive 8 unsigned broadsides, postpaid. $15 for overseas subscribers. 
Single issues are $1/$3 signed. Please send checks/money orders payable to "Country Valley Press". 


2008 EH Broadsides

#9, David Gianinni, LOW-TIDE CARDS
#10, Charlie Mehrhoff, NOTHING EXISTS
#11, Jeffery Beam, THE GREEN MAN'S MAN


CVP Chapbooks

Life's Little Day by Bob Arnold.
Limited edition Japanese style wraps, $15

One Dozen Portions by Hank Lazer
Limited sewn chapbook, $7.50

terraria by John Martone
Limited edition Japanese style wraps, $15

Wall/Stairway by John Taggart
Limited sewn chapbook, $7.50

A Breath Apart by Scott Watson
Limited edition Japanese style wraps, $15

*Chapbooks can be purchased via PayPal at the CVP website
**Please inquire about signed editions of chapbooks and broadsides


FORTHCOMING 

Ed Baker
Jeffery Beam
Joel Chace
Mark Kuniya
John Martone
Sabine Miller

 


Country Valley Press
c/o Mark Kuniya
1407 Mission Street, Unit A
Gardnerville, Nevada 89410-7221

August 04, 2008

Silliman Jism

It arrived in the mail and could not be returned: a bowl of a bull's eye, Adam's nipple, nape of a neck-to-neck race (not an issue, they claim, in this pain). She snipped the apple; he craved the center as a biological imperative. We will never drink the same way again.

Sound's Carry

Warm evenings, the neighborhood's vibrant. I think I hear a child crying out, "Tweak the anarachist. Tweak the anarchist."

I'm positive I hear a child say, "You're standing on my butt."